{"id":976,"date":"2024-09-27T14:28:15","date_gmt":"2024-09-27T12:28:15","guid":{"rendered":"https:\/\/elliasmeinel.de\/?p=976"},"modified":"2024-10-08T15:41:00","modified_gmt":"2024-10-08T13:41:00","slug":"stufentheorie","status":"publish","type":"post","link":"https:\/\/elliasmeinel.de\/en\/lehre\/stufentheorie\/","title":{"rendered":"Diatonische Stufentheorie"},"content":{"rendered":"

Diatonic means within the scale or within the key. Each major scale has seven tones that begin with the formula WS \u2013 WS \u2013 HS \u2013 WS \u2013 WS \u2013 WS \u2013 HS<\/strong> form the friendly character of major. Layering thirds (the basis of harmony) to form chords results in specific chords for each of the seven degrees, depending on the key. The most common is the major scale<\/strong> as an example, as it forms the basis of many musical works. To illustrate this, let's take the E major scale:<\/p>\n\n\n\n

Triads on the major scale steps<\/h3>\n\n\n\n

Wenn ich durch die Terzschichtung nur leitereigene T\u00f6ne verwende, bilden sich \u00fcber die sieben Stufen in jeder Dur-Tonart immer folgenden Drei\u2013, Vier\u2013 und F\u00fcnfkl\u00e4nge:<\/p>\n\n\n\n

Scale Degree<\/th>Triad - Four-tone - Five-tone<\/th>Classical Label<\/th><\/tr><\/thead>
First Degree (I)<\/td>Maj \u2013 Maj7 \u2013 Maj9<\/td>Tonic<\/td><\/tr>
Second Degree (II)<\/td>Min \u2013 Min7 \u2013 Min9<\/td>Supertonic<\/td><\/tr>
Third Degree (III)<\/td>Min \u2013 Min7 \u2013 Min9<\/td>Mediant<\/td><\/tr>
Forth Degree (IV)<\/td>Maj \u2013 Maj7 \u2013 Maj9<\/td>Subdominant<\/td><\/tr>
Fifth Degree (V)<\/td>Maj \u2013 Dom7 \u2013 Dom9<\/td>Dominant<\/td><\/tr>
Sixth Degree (VI)<\/td>Min \u2013 Min7 \u2013 Min9<\/td>Tonika-Parallele<\/td><\/tr>
Seventh Degree (VII)<\/td>Diminished \u2013 Min7b5 \u2013 Min9\/b5<\/td>Verk\u00fcrzter Dominantseptakkord<\/td><\/tr><\/tbody><\/table>
diatonic triads<\/figcaption><\/figure>\n\n\n\n

The function of the step chords (according to frequency of use in popular music)<\/h3>\n\n\n\n

Jeder dieser Dreikl\u00e4nge hat in der Harmonielehre eine bestimmte Funktion, die das harmonische Fortschreiten bestimmt:<\/p>\n\n\n\n

    \n
  • Tonic (I)<\/strong>Home base. Most stable,<\/li>\n\n\n\n
  • Subdominant (IV)<\/strong>: a chord that feels familiar.<\/li>\n\n\n\n
  • Dominant (V)<\/strong>: a chord that has the highest tension and usually resolves to the tonic or to .<\/li>\n\n\n\n
  • Parallels<\/strong> (II, III, VI): these chords support the main functions and offer harmonic alternatives.<\/li>\n\n\n\n
  • Leading Tone (VII)<\/strong>: a very tense chord that is rarely used<\/li>\n<\/ul>","protected":false},"excerpt":{"rendered":"

    Diatonisch bedeutet leitereigen oder auch innerhalb der Tonart liegend. Jede Dur-Tonleiter hat sieben T\u00f6ne, die mit dem Formular GT – GT – HT – GT – GT – GT – HT den freundlichen Charakter von Dur bilden. Schichten man Terzen (Grundlage der Harmonik) um Akkorde zu bilden so ergeben sich, abh\u00e4ngig von der Tonart, f\u00fcr […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-976","post","type-post","status-publish","format-standard","hentry","category-blog"],"_links":{"self":[{"href":"https:\/\/elliasmeinel.de\/en\/wp-json\/wp\/v2\/posts\/976","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elliasmeinel.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elliasmeinel.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elliasmeinel.de\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/elliasmeinel.de\/en\/wp-json\/wp\/v2\/comments?post=976"}],"version-history":[{"count":3,"href":"https:\/\/elliasmeinel.de\/en\/wp-json\/wp\/v2\/posts\/976\/revisions"}],"predecessor-version":[{"id":981,"href":"https:\/\/elliasmeinel.de\/en\/wp-json\/wp\/v2\/posts\/976\/revisions\/981"}],"wp:attachment":[{"href":"https:\/\/elliasmeinel.de\/en\/wp-json\/wp\/v2\/media?parent=976"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elliasmeinel.de\/en\/wp-json\/wp\/v2\/categories?post=976"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elliasmeinel.de\/en\/wp-json\/wp\/v2\/tags?post=976"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}